"NIJISANJI WORLD TOUR 2025" Hiroshima Show Report: The Performance Begins with Six Members' Unique Touches, Painting a New "Color" on Stage
Note: the original Japanese article can be found at:
https://www.4gamer.net/games/991/G999108/20251020040/
Writer: Watanabe Misaki | 2025/10/20 08:17 (UTC)
The live tour commemorating the 7th anniversary of VTuber group “Nijisanji”, titled “Nijisanji WORLD TOUR 2025 Singin’ in the Rainbow! Hiroshima Show”, took place on October 18, 2025.
This tour marks the largest in Nijisanji’s history, beginning with a show in Sendai on May 10, followed by performances in Nagoya (June 22), Yokohama (July 21), Kobe (August 30), and Tokyo scheduled for January 18, 2026. In addition to visiting seven venues nationwide, the tour also achieved success with overseas concerts in Shanghai during July.
This article covers the Hiroshima show featuring six distinctive performers. The participants were:
Joe Rikiichi (YouTube)
Shouo Sango (YouTube)
Hyakumantenbara Salome (YouTube)
Seraph Dazzlegarden (YouTube)
Shouto Hoshirube (YouTube)
Shioriha Ruri (YouTube)
Note that live stream viewing tickets are available until November 2, 23:59, and the viewing period runs until November 3, 23:59. Please be advised that spoilers about the live content follow below—viewers planning to watch should proceed with caution.
Official Website for “Nijisanji WORLD TOUR 2025 Singin’ in the Rainbow! Hiroshima Show”
A Stage Unlike Any Before: Fully Immersing in Each Song’s World
Many likely sensed it from the event’s key visual—this time, the show felt different from previous tours. Rather than a conventional live concert, it evoked the feeling of watching an elaborate single “show.”
After videos of all six performers were projected onto the screen, Joe Rikiichi, serving as emcee for this performance, took the stage. After his welcome speech, five other performers in masks appeared and powerfully performed “Yonagao Orkesta.”
From the outset, the tour’s concept became evident. The performance continued with “Fixer” (a cover of Nuyuri) by Seraph Dazzlegarden and Shouto Hoshirube, followed by “Jackpot Sad Girl” (cover of 25:00, Night Code), performed by the female members—Shouo Sango, Hyakumantenbara Salome, and Shioriha Ruri—delivering a setlist perfectly suited for showtime.
In particular, during “Fixer,” call-and-response chants echoed through the venue, vividly reflecting the intense energy in the audience.
For this Hiroshima show, the 3D shared costumes of four performers were unveiled for the first time, and each member took turns discussing their personal touches regarding costumes.
Shioriha wore a wristband she designed herself; Shouo showcased matching charms and tiaras from Seireijo (Serenity Voice Girls’ Theater Club); Seraph displayed a badge shaped like a violin. Sho’s costume incorporated elements from his usual attire, with each performer’s individual preferences reflected in intricate details.
Additionally, the group performed part of “Niginigi Nijitoun!”, whose music video was released last month, prompting cheers from the audience.
Known as “Ichi-san-go,” Rikiichi and Shouo sang “Geragera Poo no Uta” (cover of King Cream Soda) with passion. The screen displayed medals themed around each performer, showcasing deep respect for their original works. Starting in the second verse, Shouto and Shioriha joined on stage, filling the venue with nostalgic warmth.
Salome performed “Cinderella (Giga First Night Remix)” (cover of DECO*27), appearing on stage wearing glasses just as in the music video.
The appearance of “Momiji Manju,” a famous local specialty from Hiroshima, coincided with Salome’s performance of “Candy Cookie Chocolate” (cover by Harokeru). The precise camera work brilliantly highlighted both Shouo and Salome’s charm.
From here onward, solo performances by each member followed. Rikiichi performed “Saudaji,” describing it as “a song unique to Hiroshima.” Given that Porno Graffitti, the original artists of this track, are from Hiroshima Prefecture, he took up a cane-style microphone and sang with great fervor.
Seraph captivated the audience with sharp dance moves in her performance of “BANDAGE” (cover by Ayumu Imazu). Later, during an MC segment, she revealed this was the most challenging choreography she had ever attempted and that she had chosen the song long ago.
With playful humor like “Should I also perform?” Starlight showed a unique side while singing “Matsuri” (cover of Fujii Fū).
Shouo sang “Wagamama Hime” (cover by Fujiwo) from a chair, and her choice seemed perfectly in character—she said she felt happy when called “princess.”
The visuals projected onto the screen were equally impressive. Rikiichi and Seraph performed “Itai no Itai no Tonde Ike” (cover of TOOBOE), while Salome and Shouto delivered a passionate rendition of “El Tango Egoyista” (cover of nyanyannya), fully immersing the audience in each song’s world.
Both tracks carried an atmosphere resembling a full-fledged musical, delivering a truly breathtaking stage.
Rikiichi and Shioriha performed “Bakamajime” (cover of Creepy Nuts × Ayase × Iida Rira), with Rikiichi selecting the song based on his impressions of each other.
From a comment like, “There’s someone who hasn’t done a solo yet…” came Shioriha’s performance of “Hakusen” (cover by Katsujou Reirya [CV: Hanai Kanako]).
Since she had previously encouraged fans to “prepare white lights for solo songs” (relevant post), the venue was beautifully illuminated by blue and white light wands.
Male performers—Rikiichi, Seraph, and Shouto—performed “Sō” (cover of Ado), while Shouo and Shioriha delivered “Igaku” (cover of Haraguchi Sosuke), gradually building momentum toward the final stretch.
The sensual allure was evident in Rikiichi and Salome’s rendition of “Hia Sobu” (cover of Kamera). The stage set perfectly captured the song’s atmosphere, captivating viewers instantly.
After Seraph, Shouto, and Shioriha concluded their performance of “NEO” (cover of Jin), a door appeared on screen. Each member then entered carrying torches or flags. The six performed together in “Hinoto Mori no Carnival” (cover of SEKAI NO OWARI), with the transformation from regular costumes to shared outfits bringing tears to many audience members.
During the final MC segment, behind-the-scenes stories and reflections on each song were shared, highlighting the close-knit camaraderie among the Hiroshima team.
The finale featured the 7th-anniversary commemorative song, “Arc goes oN.” The performance captured each tour’s unique “color” and each member’s personal “passion”—a truly memorable moment.
The performers then stepped down from the stage—the live show seemed to have ended… but they returned on stage in response to an encore.
In “Potato ni natteiku” (cover of Wonderlands × Showtime), using canes for performance, they utterly overwhelmed the audience.
Afterward, Shouo shouted “We did our best!”—a sentiment echoed by all members who had diligently prepared for this special show.
In the announcement segment, fans were thrilled to learn about additional merchandise sales (pre-order page here), simultaneous streaming broadcasts, and that “Kotobetamita” music videos are currently in production, sparking excitement for future developments.
As the concert neared its close, each performer shared final remarks. “I want to keep striving so you’ll continue wanting to support me” (Shioriha), and “Thank you for showing us such a dreamlike scene” (Salome)—a cascade of resolve and gratitude poured forth.
The final song was “Virtual to LIVE.” The show concluded with Joe Rikiichi’s bow, leaving hearts forever touched by this unforgettable two-hour experience.
Official Website for “Nijisanji WORLD TOUR 2025 Singin’ in the Rainbow! Hiroshima Show”
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